Music for All Seasons at Peterloon on February 11 at 2 pm

Shareese ArnoldMusic for All Seasons at Peterloon on February 11 at 2 pm

First of all, Happy New Year to each and every one of you!

Our first Music for All Seasons at Peterloon concert of 2018 is fast approaching, and we want to make sure you won’t miss the music being sung and played by a superb group of artists in the welcoming and intimate environment of Cincinnati’s historic Peterloon Estate. All revenues from ticket sales are donated to the Scholarship Fund of the College-Conservatory of Music of the University of Cincinnati.

Many of you might remember Shareese Arnold, whose impressive soprano voice will perfectly suit the Six Romances, opus 38 of Sergei Rachmaninoff that she will sing in the first half of our February 11, 2 pm program. Shareese returns to share her talent with our Cincinnati audience after successful appearances with Cincinnati Song Initiative and the Wagner Society of Cincinnati, co-presenter of our concert, to sing the music of the 20th century Russian master and a group of arias by Richard Wagner: Senta’s dranatic Ballad from Der Fliegende Holländer (The Flying Dutchman), Elsa’s poignant Einsam in trüben Tagen from Lohengrin, and Elisabeth’s joyous greeting to music, Dich, teure Halle from Tannhäuser

Accompanying Shareese Arnold is pianist Christine Seal, a valuable artist who has appeared with us in the past. Christine will pace three large-scale piano works of Franz Liszt inspired by the music of Wagner: the Spinning Song from Der Fliegende Holländer (The Flying Dutchman), the Song to the Evening Star from Tannhäuser and the Entrance of the Gods to Valhalla from Das Rheingold.

Also in our program, and making her first appearance with us is the extraordinary cellist, Amy Gillingham, who will solo Fredric Chopin’s rarely heard Cello Sonata in G minor, Op. 65, one of the few works of the Polish Romantic composer written for an instrument other than the piano.

Kimberly Daniel de Acha joins our other artists to add her narrating skills to two melodramas, a type of musical composition for speaking voice and piano popular in the 19th century: Farewell to the World by Franz Schubert, and The Castle by the Sea, by Richard Strauss.

The estimable Polish-American visual artist Anna Van Matre will exhibit a group of her works in the rooms of the Peterloon mansion, a new feature that will accompany and enhance this and our upcoming concerts with the work of Ohio/Kentucky artists.

An informal get-together with the artists, over tea, coffee and pastries will follow the concert.

WHAT and WHERE: Music for All Seasons at Peterloon on February 11 at 2 pm at Peterloon Estate at 8605 Hopewell Road, in the Village of Indian Hill. RESERVATIONS: / TICKETS: $35; FLEXIBLE 4-TICKET PASSES: $120 INFORMATION:; ;



By giving his Sono Luminus CD the title of WINDOWS, pianist Bruce Levingston’s hints at a clue as to what he might have had in mind when he decided to include Schumann’s Kinderszenen in the same album with David Bruce’s The Shadow of a Blackbird and James Matheson’s Windows.

No three works could at first hearing be more dissimilar. And yet, as one revisits this felicitous tripartite pairing of pianistic works from three different music worlds one gradually comes to understand their many commonalities. All three are miniature depictions of scenes from the realms of memory and of the imagination, spiritual windows into states of the soul.

Bruce Levingston gives a sensitive, soulful, interpretation of Schumann’s Scenes from Childhood (Kinderszenen), always mindful of Schumann’s very specific tempo markings yet never afraid of underpinning his playing with his own musical points of view. Note, as one wonderful moment of many, how he makes the near stasis of The Poet Speaks (Der Dichter Spricht) a meaningful finale to this cycle of fifteen exquisite miniatures. Livingston then caps the Schumann section of the CD with an idiomatically flawless Arabesque.

All four of the compositions in this CD are essentially Romantic works, even though Bruce’s The Shadow of the Blackbird’s and Matheson’s Windows’ lack of tonal centers and complex harmonic structures are as far removed from Schumann’s 1818 naïve Romanticism as any composition could be. The programming of these three composers’ works in one CD is daring and utterly successful.

Windows uses plumbing bass figures pitted against delicate filigrees in the upper octaves of the piano in Jeremiah, sudden outbursts of tonal clusters in Isaiah and minimalism in Crucifixion and The Good Samaritan all to express a transfixed deep spirituality. In The Rose, Matheson achieves a higher level of intensity by again using ostinato figures in the lower register of the keyboard.

The composers’ styles are as remote from Schumann’s crystalline melodies and child-like wonderment at the simplicity of life as any music can be, yet there is kinship among these three compositions, giving the listener a program that coalesces and provides over an hour of pleasure, thanks to the devotedly committed playing of Bruce Levingston, an elegant musician whose playing is ever self-effacing and always at the service of the music.

This Sono Luminus elegantly packaged, well engineered and intelligently annotated release should be a welcome addition to the libraries of those who, like this writer, love great piano music in the hands of master players.

Rafael de Acha All About the Arts January 1, 2018



Mam-Luft&Co.Dance is on a steady climb, just having won a grant from The National Endowment for the Arts. Not your grandfather’s dance group, this Modern Dance ensemble always surprises with its athletic choreography and its inventiveness. See if you agree by taking in their upcoming premiere of a new work at the Aronoff that celebrates what to be an immigrant in today’s America is all about.
Tickets at

The Cincinnati Symphony Orchestra’s 123-year history is celebrated with music from some of its past seasons: Bach’s Sleepers Awake, Eugene Goosens’ Symphony No. 2, and Beethoven’s Piano Concerto No. 3. Sir Andrew Davis leads the orchestra, with Garrick Ohlsson as soloist.
Tickets are available at OR by phone at 513 381 3300.

UC’s College-Conservatory of Music presents a brace of sample performances by its “stars of tomorrow” in several of its performance spaces. Jazz, musical theatre, piano, opera, acting, dance, choral music and orchestral music are among the offerings. Your ticket will help the school continue to support the hopes and dreams of its students through student travel funds and scholarships. Call 513 556 6638.


MET Opera star Jamie Barton is in Cincinnati, thanks to Matinee Musicale, which is setting a new precedent, now in its 105th season by presenting one of its concerts in the evening in its new home at Memorial Hall. Ms. Barton will be singing a varied program with an emphasis on American Art Song. Tickets at (513) 977-8838

Rafael de Acha  for All About the Arts December 29, 2017




With the gradual demise of arts writing in newspapers websites and blogs are filling the void. I’ve been writing for http://www.seenandheard-international for the past three years. Every year they ask each one of us to provide a list of the highlights of the year just finishing.

Those art writers who submitted lists come from all over the world – Great Britain, New Zealand, Continental Europe…It’s with pride that I list these Cincinnati-Dayton events side by side with concerts and operas from all over the world, as my most memorable ones from a year during which I attended over 120 arts events.

Congratulations to all these fine artists that make us so proud to live and work here: Louis Langrée and the musicians of the CSO…Eckart Preu and the musicians of the CCO…the whole CCM family, including both students and faculty….Catalina Cuertvo…Gary Briggle…Kara Shay Thompson….Ran Dank…Stewart Goodyear…

BRAVI TUTTI!…/new-some-of-our-re…/


No doubt about it, for an urban area of its size, Southern Ohio has an extraordinary number of musical organizations that keep us all happily attending concerts and operas all year long. Here are my memorable musical events of the year 2017.

Cincinnati’s Music Hall reopened after an extensive renovation and much improved acoustics with a gala concert that featured the Cincinnati Symphony Orchestra, led by Louis Langrée, who, in a heartfelt curtain speech before Leonard Bernstein’s Overture to Candide echoed the words of that opera’s finale by expressing his and our hope ‘that this newly-built home will be a similar garden, where great music will thrive and flourish.’

Summermusik, now in its second-year summer line-up of evening concerts, chamber music afternoons and evening ‘Pub Crawls’ evidenced the talent and versatility of the musicians who make up the Cincinnati Chamber Orchestra and its dynamic new conductor, Eckart Preu. In one of the concerts Ran Dank gave a bravura performance of the Saint-Saëns Second Piano Concerto mining this leviathan’s every note for clarity rather than speed, and for quality rather than quantity of sound.

The CCM Philharmonia opened the 2017-2018 Concert Season at the University of Cincinnati’s College Conservatory of Music in the recently-renovated Patricia Corbett Theatre with a tour de force program that included Mozart’s Overture to The Magic Flute, Brahms’ Symphony No.3 in F, and Mendelssohn’s ‘Reformation’ Symphony. Many a professional orchestra would envy how this top-notch student ensemble sounds, under Mark Gibson magisterial leadership.

The story of the fatally flawed love between two giants of 20th-century art was brought to life in the Cincinnati Opera production of Frida, in which powerhouse soprano Catalina Cuervo, delivered a memorable career-defining performance.

Later on, in the Dayton Opera’s impeccably staged Gary Briggle production of Menotti’s The Consul, Kara Shay Thomson sang up a storm as the best Magda Sorel in this writer’s memory.

Stewart Goodyear played a recital as part of The Art of the Piano Festival that featured music by Bach, Gibbons, Beethoven, Ravel, and Liszt. Goodyear was awesome in technical dexterity, unfailingly musical and stylish, balancing the impulses of a warm heart with the counsel of a cool brain. The audience would not let him leave, not even after a marathon two-hour recital.



thSo, here we are with just 6 days left until Christmas, right in the middle of Hanukkah, and barely two weeks away from 2018! So, we have to stop all the decorating and gift wrapping and partying and take a moment to wish each and every one of our RafaelMusic Notes followers a blessed holiday season and a joyous, healthy and peaceful 2018 or, in other words, sana saiida… shnorhavor nor tari… urte berri on…sretna nova godina….chestita nova godina…bon any nou…malipayong bag-ong tuig….šťastný nový rok….godt nytår…gelukkig nieuwjaa… feliĉan novan jaron….head uut aastat manigong… bagong taon… onnellista uutta vuotta… gelukkig nieuwjaar….bonne année… feliz ano novo…prosit Neujahr…. kali chronia… hauoli makahiki hou…boldog új évet…. buon anno…felix sit annus novus…laimīgu Jauno gadu…. laimingų Naujųjų Metų…godt nyttår… szczęśliwego nowego Roku… feliz ano novo…la mulţi ani…С Новым Годом …Срећна Нова година…Ευτυχισμένο το νέο έτος…新年快乐….明けましておめでとうございます….새해 복 많이 받으세요……

Rafael de Acha     December 17, 2017


Sybarite-5-1-bw-hi-key-webcropSybarite5  just sent me OUTLIERS, a terrific album of contemporary music for string ensemble. After repeatedly listening here’s my rave:

Getting Home (I must be…) by Jessica Meyers begins with an ostinato figure in the lower strings, against which the upper strings introduce their own contrapuntal pattern. They combine, meld, struggle for dominance and, after a developmental section, the piece comes to an abrupt ending, as if home had finally been reached against all odds.

In Yann’s Flight by Shawn Conley, a nervous pattern insistently repeated by the viola is first countered by the string bass, and then the cello, which joins them with a melody redolent of the Argentine Pampas. A rhythmic zapateado pattern kicks in a couple of times, as if to counteract the melancholy tone of the piece that nevertheless manages to arrive at a serenely soulful ending.

Pop Rocks by Eric Byers is an intricate miniature, in which poly-rhythms playfully are set to bounce off of each other in a fascinating contrapuntal vignette.

Hitchiker’s Tales by Dan Visconti divides up into three vibrantly inventive sections: Black Bend, Dixie Twang and Pedal to the Metal, each filled with country, jazz, zydeko, bluegrass, rock and pop riffs that evoke dizzying road trips down the back roads of an America of the mind.

Revolve by Andy Akiho sets the ensemble to work double time as string players and percussionists in a whirlwind of rhythmic patterns, pizzicato, sul ponticello, downward slides, and double stops, in an intriguing miniature tour de force.

Muggadamah by Mohammed Fairouz reminds us that this composer’s talent yields music that can easily bridge the vastness that separates our musical culture from others. Its title evokes the Near East, but its sultry cadences are tonally centered, yet able to stray into moments of tonal ambiguity.

Allemande pour Tout le Monde by Kenji Bunch celebrates universal peace. with music at first solely rhythmic and then gradually melodic in a brief 21st century allemande that ends in an upbeat note of hopefulness.

Kompa for Toussaint honors the 18th century Haitian revolutionary leader, François-Dominique Toussaint Louverture. While the typical Haitian kompa is a lively afro-Caribbean dance, Daniel Bernard Roumain’s laud, at first upbeat soon turns into a heartfelt paean in honor of Haiti’s greatest national hero.

Eric Byers’ Sarabande is an homage to the 18th century dance form often used by Baroque composers to spin out long-lined melodies better suited to listening than to footwork. In this case, Byers creates an emotionally charged stasis for solo cello, gorgeously played by Laura Metcalf.

Blue Bourrée is a charming 21st century commentary on an 18th century dance in cut time by composer Michi Wiancko., as Gi-gue-ly by Ljova is an uniquely sui-generis take on the national dance of Ireland.

All in all, this remarkably original album by Sybarite5, available directly from provides a sampler of the varied music being written today for string ensemble. Sami Merdinian and Sarah Whitney, violins; Angela Pickett, viola; Laura Metcalf, cello; and Louis Levitt, bass  are the group’s members and  they are extraordinary as soloists and nothing but miraculous as an ensemble, playing their daunting repertory with  warm hearts and cool heads .

Impeccably produced and engineered by Paul Zinman, with Louis Levitt as Executive Producer, and with the support of New Music USA, the Alice M. Ditson Fund, Sybarite Chamber Players Ltd, Bright Shiny Things and many Kickstarter supporters, OUTLIERS is an indispensable addition to the library of any collector of contemporary music.

Rafael de Acha      December 18, 2017

Skylark Vocal Ensemble’s Winter’s Night


The Skylark Vocal Ensemble ( ) has added to its list of recordings, Winter’s Night, its inaugural album for the Christmas season. It is a gorgeously sung CD that contains a mix of Early and High Renaissance choral music side by side with 20th century sacred music by Hugo Distler, Herbert Howells, Pierre Villette, John Taverner, Reginald Jacques, Georges Dupuy de Meris, Peter Warlock and Elizabeth Poston.

The nearly fifty minutes of music of this perfectly engineered (by Andrew Carballeira) CD fly by, even after repeated hearings, and the well written notes by the group’s Artistic Director, Matthew Guard help guide the listener through the eighteen featured compositions.

The group is divided into four three-member sections. It is a small chamber ensemble but its sound is substantial at all dynamic levels, pure and unified, conservative in its use of the vibrato-less vocal production most often used and abused in the singing of Early Music, and yet its dozen voices are dead-on pitch, vibrant in timbre, and as proficient in the Latin of the Allegri, Nanino, Mouton and Plainchant samples, as they are in the German, French and English language selections.

The sopranos all do very fine ensemble and solo work, as evidenced by Sarah Moyer in two French-language hymns in praise of the Virgin Mother, and Jessica Petrus in the closing number by Elizabeth Poston. Mezzo-soprano delivers a lovely solo in Es ist ein Ros ensprungen.

An entire CD of this kind of music could grow tiresome in lesser hands, but track after track the hard-working artists of the Skylark Vocal Ensemble keep the listener immersed in their rich sound and musicality. both perfect for music ideally suited to a winter’s night.

Rafael de Acha


Imagine christmas

IMAGINE CHRISTMAS is an aptly-titled new release by the Sono Luminus label guaranteed to stir anyone up and away from the numbing sameness that too much canned Christmas can cause.

I highly recommend that you settle into your favorite easy chair, preferably in your house robe, and sip a mug of hot cider or eggnog or mulled wine as you listen to this superb collection of musical chestnuts.

Listen to the lively foot-stomping Celtic sound that Ensemble Galilei gives Frosty the Snowman in the album’s opening track and you just might imagine yourself river dancing all the way down to the frozen pond where you used to ice skate as a kid. I dare you then not to waltz around the room in time to Bruce Levinston’s whirling rendition of December, a wintery Tchaikovsky waltz. After that, rest for a spell and reminisce about Christmases past thanks to Irina Muresanu and Matei Vargas heartfelt instrumental White Christmas.

Again rise up and dance to the Jasper String Quartet’s joyous Holly, Jolly Christmas, and next imagine yourself Walking in the Air with the help of Bruce McFarlane’s rippling piano version. Next chuckle as you listen to Cory Hills’ all-American ‘Twas the night before Christmas, and then let Kathryn Bates remind you with her hauntingly beautiful cello playing of Santa Claus is Comin’ to Town that you’re still a kid at heart.

Caleb Nei will gently remind you that Christmas Time is Here, and Lydia and the Cuarteto Latino Americano will rhythmically bring joy to your world from their Latin one with Joy to the World. Next rest your feet but sharpen your ears as you listen to Stewart Goodyear’s humorously post-modern Good King Wenceslas. Then be moved by the flawlessly elegant singing of Have Yourself a Merry Little Christmas by the Skylark Vocal Ensemble.

At the end of your musical journey you will be mesmerized by the eerie stillness that the American Contemporary Music Ensemble brings to Silent Night. After that, drink the good health of the folks at Sono Luminus ( and buy yourself this one-of-a-kind musical treasure, or even better, make it the nicest ever Christmas gift to someone you love.

Rafael de Acha


Time was when Angel Records, RCA Victor, Deutsche Gramophon, Columbia, Cetra, Melodya and a few other major labels had all four corners of the classical recording industry. Gradually some went away, others diversified into a number of non-classical genres, and many moved lock, stock and barrel to cheaper and greener European pastures.

Gradually, enterprising artists took the bull by its musical horns and became self-producers, keeping company with a handful of visionary little companies that could and would take risks producing recordings by early career artists. Nowadays even some symphony orchestras have taken up the role of producers of their own recordings.

The following are my favorite Classical CD’s from the year 2017. I hope they will become the favorites of many collectors. They are almost with one or two exceptions self-produced by the artists themselves or through the efforts of labels like Navona Records and Divine Art.

We miss, no doubt, the giant record stores the likes of Tower Records or the little neighborhood hole in the wall record shop where you could find just about anything you wanted, including “pirate” recordings of the rare and the odd.

But to make up for their absence there is the convenience of shopping on line and the instant gratification of downloads. Enjoy!

The random order list:

Rigoletto – Verdi, opera – Dimitri Hvorostovsky, baritone, with Sierra, Demuro, Mastroni, Volkova – Delos
Johann Sebastian Bach Cello Suites – Richard Narroway, cello – Sono Luminus
Pasión – Beatriz Boizán, piano –
¡Acentuado! – Yuri Liberzon, guitar –
Mario Castelnuovo-Tedesco Piano Works – Alfonso Soldano, piano – Divine Art
The Operatic Pianist’ (A Night at the Opera) – Andrew Wright, piano – Divine Art
Stewart Goodyear Ravel – Stewart Goodyear, piano – Orchid Classics
Age of Indulgence – Les Délices, Early Music Ensemble – ( )NavonaRecords
Canción – James Meade, guitar –
Fantasias – Rupert Boyd, guitar –


Rigoletto – Verdi – Delos, 11/110/17 release. The City of Kaunas (Lithuania) Orchestra and the men of the Kaunas State Choir, under the baton of Constantine Orbelian bring out all the Italian flair and all the subtleness of Verdi in a recording with one of the great Verdi baritones of our time, Dimitri Hvorostovsky. Surrounded by the lovely Gilda of Nadine Sierra, tenor Francesco Demuro, the impressive bass Andrea Mastroni, and mezzo-soprano Oksana Volkova, this is still the baritone’s show, and the silver-haired Russian walks away with it in what sadly turned out to be his last recording

Richard Narroway

In a boldly self-asserting move, the young Australian cellist Richard Narroway has recorded all six of the Johann Sebastian Bach Cello Suites. The double CD (SLE-70010) by Sono Luminus is not merely another one among dozens of recordings of these works, but a very fine debut by an immensely gifted young musician soon fit to keep company with some of the greats that preceded him.


Pasión is the right title for the debut CD of Cuban-Canadian pianist Beatriz Boizán, a young keyboard artist who plays with genuine passion and utmost musical intelligence seventeen compositions by Spanish and Latin American composers. Self-produced, and available directly from the artist at this is a sampler of classical and crossover music, ranging from Lecuona, Soler, Ginastera, and Albeniz to the underepresented 19th century Cuban virtuoso Ignacio Cervantes.


Yuri Liberzon, a Russian-born, American guitarist does not sit on his laurels: less than a year after another release, he is out with his fresh off the press ¡Acentuado!, an in-depth look at the music of Astor Piazzolla, the Argentine Nuevo Tango master whose creations must be played with “duende”- the Spanish term for playing with fire in the belly, which Liberzon certainly does. As a teaser, check out his website: There you will find links to a couple of this album’s tracks and, what’s better, you’ll be able to order either an MP3 download of it or a hard copy.

alfonso soldano

Italian pianist Alfonso Soldano has dedicated years to researching, studying and performing the extraordinarily varied piano music of Mario Castelnuovo-Tedesco. The results of his labors can be enjoyed in Mario Castelnuovo-Tedesco Piano Works. Nicely packaged by Divine Art, splendidly engineered by Christian Ugenti, intelligently annotated by Attilio Cantore and, most important, played to perfection by Soldano on a Steinway concert grand piano, the album is a winner.

night at the opera

Were it not for the life-long musical efforts of Scottish pianist Andrew Wright, The Operatic Pianist’ (A Night at the Opera) would have not been made. But love is not only what is at play in this Divine Art CD but, rather, the pianistic prowess and large scale musicianship of Wright. In an age in which the “intellectualization” of concert programs (Wright’s choice of words) has subjected the concertgoer to many hours of numbing sameness, these arrangements of operatic music of Liszt, Meyerbeer and Bellini will provide superb entertainment to both Opera lovers and those who  think of it as a guilty  pleasure.


In Stewart Goodyear Ravel, a CD from Orchid Classics the pianist Stewart Goodyear takes the listener on a 68 minute journey that spans Jeux d’eau, Sonatine, Miroirs, Gaspard de la Nuit and Pavane pour une Infante defuncte. Stewart keeps us enthralled with his technical wizardry, worldly elegance, and his uncanny ability to color sound in a myriad ways. All the while one senses that this artist is ever at the service of the composer, not as an obliging servant but as a knowing collaborator who understands in this instance the quirky unpredictability of Ravel’s music.


Just on the outside chance that you may have never heard of François-André Philidor, Michel Blavet, or Jean Pierre Guignon, allow the superb group of Baroque specialists that call themselves Les Délices ( ) to introduce you to the delectable music of these three French masters in Age of Indulgence. Let me entreat you to seek out this treasure and purchase it from, whether digitally or in hard copy. You’ll thank me for it.

Jmes Meade

Throughout the album Canción, the young Cincinnati guitarist James Meade amply demonstrates impeccable musicianship, profound musicality and a complete technical command of his instrument. Those qualities, married to the straightforward engineering and lovely packaging of Canción, augur well for the future career of this exceptional guitarist. The album may be purchased directly from the artist at


Last January and out of the proverbial blue, I received on the mail Fantasias, a CD available from, featuring Rupert Boyd, a young Australian-born, New York-based guitarist in a varied recital of music by Piazzolla, Falla, Villalobos, and several other composers. I put it on to play, and it was well past midnight that, after twice listening to the album’s 19 tracks, I wrote, as I do now encouraging all lovers of guitar music to buy a copy of this gem of an album by a fast rising young  artist.

Rafael de Acha 12/8/2017




This is not a comprehensive preview; it just highlights some of the events given by a few of the many musical organizations that operate in Cincinnati. The dates of performances given here are usually the first or second of two or more. For precise details it’s best to go to the various websites listed here:

CCM – College Conservatory of Music at the University of Cincinnati or call 513 556 6638

Symphony Concerts, Chamber Music, Jazz Concerts, Musical Theatre, Opera, Voice and Choral concerts, Solo Recitals, Ballet, Drama featuring students, faculty and guest artists in four different venues in hundreds of performances every year in one of America’s great arts schools. Among the highlights of this year are a rare recital appearance by star tenor Stuart Skelton and a staging of Andrew Lloyd Weber’s Jesus Christ Superstar

concert:nova –

An eclectic and unpredictable producer and presenter of anything in music as long as it falls way outside the box. They are all over town this year for their performances and even offering free tickets to anyone under 35 for some of their events. Watch their website for updates and, while you are there, check out their late night series.

CSI – Cincinnati Song Initiative

A one of a kind musical organization presenting outstanding young pianists and singers in several recitals every year focusing on the blend of words and music that go into making an art song. This year they have a look at some Shakespeare set to music and they add to their regular line up of concerts several free-admission ones in libraries around Cincinnati.

CSO – Cincinnati Symphony Orchestra                               or call 513 541 1492

One of America’s oldest symphony orchestras presents a full season of concerts featuring internationally renowned artists. This second half of its 2017-2018 season features appearances by several pianists, among them heavyweights Garrick Ohlson and Jean Yves Thibaudet, various guest conductors, including Sir Andrew Davis, and the unusual: bassist, Owen Lee. The repertory tends to be largely Romantic German and Russian, with rarely a foray into the French or the Southern European, which seems to be what its largely baby-boomer audience wants.

MAY FESTIVAL – 513 381 3300

An important two-week line up of concerts focusing on choral music whose roots go back to the 1870’s. This year, the May Festival begins a new era under the baton of Juanjo Mena, who will helm two out of five major concerts that will include Verdi’s Requiem (with James Levine on the podium, health permitting) and Handel’s Messiah (with countertenor David Daniels and tenor Matthew Polenzani among the soloists)

MFAS – Music for All Seasons

A five-year old concert series that focuses on music for voice and instruments, featuring early career singers and instrumentalists in an intimate setting in one of Cincinnati’s grandest mansions. One not-to-be-missed concert in February, jointly presented with the Wagner Society of Cincinnati brings back soprano, Shareese Arnold to pace herself through several Rachmaninoff songs and a trio of Wagnerian showstoppers.

MMC – Matinee Musicale Cincinnati                      or call 513-231-0964

A revered, century-old organization that presents four recitals every season, featuring nationally-recognized instrumentalists and singers, with this year’s coup being the Cincinnati recital debut of Metropolitan Opera star mezzo soprano, Jamie Barton.

SALON 21 –

One of Cincinnati’s youngest musical organizations presenting several one-hour concerts every year that combine music, wine tasting and socializing in a variety of unconventional settings. This plucky little group has all the markings of a winner that targets primarily the elusive, hard to get into a concert millennial generation.


CSO – Sat. Jan 6, 2018 at 8 p.m. in Music Hall – Sir Andrew Davis, conductor; Garrick Ohlsson, piano – Bach, Beethoven, Goosens
CSO – Fri. Jan. 12, 2018 at 8 p.m. in Music Hall – James Conlon, conductor; Jennifer Frautschi, violin – Schubert, Mahler, Mozart
SALON 21 – Thu., Jan 25 at 7 p.m. in the Weston Art Gallery – Explorations in Improvisation – Ben Tweedt, jazz piano – program to be announced
MMC – Friday, January 26 at 7:30 pm at Memorial Hall – Jamie Barton, Soprano program will be announced
CCM – Friday, Jan. 26 at 8 p.m. Corbett Auditorium – Mark Gibson, conductor; James Tocco, piano – W. Schumann, Bernstein – Bernstein Festival Concert
CSO – Sat. Jan 27, 2018 at 8 p.m. at Music Hall – Louis Langrée, conductor; Owen Lee, string – bass; Beethoven, Koussevitzky, Bartók


CSO – Friday, Feb. 2 at 11 a.m. in Music Hall – Juanjo Mena, conductor; Javier Perianes, piano – Shostakovich, Mozart
MFAS – Sunday, February 11 at 2 pm in Historic Peterloon – Shareese Arnold, soprano; Amy Lassiter, cello; Christina Lalog Seal, piano; Kimberly Daniel, actor Schubert, Strauss, Rachmaninoff, Wagner, Liszt
concert:nova – Monday February 12 at 8 p.m.
At the Cincinnati Shakespeare Company
Intimate Letters – Soloists: Julianna Bloodgood, Aimée Langrée. Music: Leoš Janáček
CMM – Sunday, February 18 at 3 p.m. in Memorial Hall. — Julian Bliss, clarinetist. Program will be announced.
CCM – Friday, Feb. 16 at 8 p.m. in Corbett Auditorium – Fun and Games Philharmonia Orchestra & Ariel Quartet – Bernstein, Adams, Stravinsky
CSO – Saturday, Feb. 17 at 8 p.m. – Louis Langrée, conductor; Jeffrey Kahane, piano – Ravel, Prokofiev, Stravinsky
MMC – Sunday, Feb. 18 at 3 p.m. in Memorial Hall – Julian Bliss, clarinetist Program will be announced
CCM – Tuesday, Feb. 20 at 8 p.m. in Corbett Auditorium Prestige Series
Stuart Kelton, tenor
CCM – Thursday, Feb. 22 at 8 p.m. in Corbett Auditorium – Jesus Christ Superstar
CSO – Saturday, Feb. 24 at 8 p.m. in Music Hall
Juraj Valcuha, conductor; Simone Lamsma, violin – Strauss, Bernstein, Korngold
CCM – Sunday, Feb. 25 at 7 p.m. – Lenny and Friends on Broadway
Philharmonia Orchestra and Musical Theatre performers – Excerpts from Bernstein’s Broadway shows


CSO – Friday, March 2 at 8 pm in Music Hall – Marek Janowsky, conductor Bruckner, Wagner
SALON 21- March 8 in the Weston Art Gallery – Musica pro Femina
Brianna Matzke, piano – Contemporary piano music by women composers
CSI – Sunday, March 11 at 3 PM in First Lutheran Church, Cincinnati
As You Like It – Music inspired by the words of William Shakespeare
CCM – Thursday, March 22 at 8 p.m. – Puccini Triple-Bill
CSO – Friday, March 23 at 8 p.m. in Music Hall
Louis Langrée, conductor – Strauss, Mozart


CSO – Friday, April 6 at 8 p.m. in Music Hall
James Gaffigan, conductor; Inon Barnatan, piano – Barber, Rachmaninoff
MMC – Sunday, April 8 at 3 pm – Yolanda Kondonassis, harp, and Jason Vieaux, guitar
CSO – Saturday, April 14 at 8 p.m. in Music Hall
Louis Langrée, conductor; Karen Gromyo, violin – Prokofiev, Beethoven
CSO – Friday, April 20 at 11 a.m. in Music Hall
Christian Macelaru, conductor; Jean Yves Thibaudet, piano
Bernstein, Ives, Gershwin
MFAS – Sunday, April 29 at 2 p.m. in Historic Peterloon
Alan Palacios, tenor; Melisa Bonetti, mezzo-soprano; Eben Wagenstroom, piano
Purcell, Bizet, Falla, Chapi, Granados, Saint-Saëns, Mozart, Bernstein


SALON 21 – May 3 – Collaboration with Art of the Piano and Awadagin Pratt featuring competition winner Matthew Lenahan. At the Weston Art Gallery
CSO – Friday, May 11 at 11 AM (season closer)
Louis Langrée, conductor; James Ehnes, violin – Beethoven, Brahms
SALON 21 – May 17 (season closer) Wayside Winds with the Sextet for Winds and Piano by Poulenc. At the Mercantile Library at the Weston Art Gallery
MAY FESTIVAL – May 18, 8 p.m. – Requiem Mass – Verdi At Music Hall May Festival Chorus; James Levine, conductor; Michelle Bradly, soprano; Ekaterina Semenchuk, mezzo-soprano; Matthew Polenzani, tenor; bass: TBA
MAY FESTIVAL – May 19, 8 p.m. – Mass – Bernstein At Music Hall
May Festival Chorus; Robert Porco, conductor; Kevin Vortmann, celebrant
MAY FESTIVAL – May 22, 3 p.m.
At the Basilica of the Assumption
May Festival Chorus – Gabrieli, Bernstein, McMillan, Rheinberger
MAY FESTIVAL – May 25, 8 p.m. – At Music Hall
May Festival Chorus; Juanjo Mena, conductor; David Daniels, countertenor
Bernstein, Gabrieli, McMillan, Ravel
MAY FESTIVAL – May 26 8 p.m. – At Music Hall – Messiah – Handel
May Festival Chorus; Juanjo Mena, conductor; Robin Johannsen, soprano;
David Daniels, countertenor: Barry Banks, tenor; José Antonio López, baritone

Happy Listening!

Rafael de Acha