JEANINE DE BIQUE, SOPRANO
Concerto Köln conducted by Luca Quintavalle
In Mirrors, a recent release by Berlin Classics the Trinidadian soprano Jeanine De Bique, shares the spotlight in her first solo album with the recent news about her birthplace having attained full status of republic. Congratulations to both!
The Concerto Köln conducted by Luca Quintavalle excels, idiomatically supporting the soprano, who in turn shines vocally and dramatically in a dozen Baroque opera arias.
Ranging from the familiar Giulio Cesare showstoppers to rarities such as Rimembranza crudel from Germanicus, De Bique displays a superb command of the vocal technique needed to take on the demands on agility, blend of the registers, range, and sustaining power required to sing this repertory.
More importantly and not content with just singing the notes accurately, the immensely gifted Jeanine De Bique inflects the text of whatever she sings with interpretative incisiveness, fleshing out the characters whose words she brings to life: Cleopatra’s mix of enticing sexuality and vulnerability, Alcina’s manipulative streak, or Agrippina’s innate wickedness are all vividly there.
Beyond the tremendous technique and interpretative acumen present in her singing, De Bique’s luscious voice gleams throughout a two-octave plus range, always at the service of the music.
In a February of 2014 review of Jeanine De Bique’s Cincinnati debut in recital with Matinee Musicale Cincinnati I wrote: “The young Trinidadian soprano’s assertive vocalism and forceful presence left one thinking that she is no mere soubrette, but a great Lucia, Gilda, or Susanna in the making.”
We are happy to report that barely eight years later our words have proven true.
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