Talivaldis Keninš (1919–2008) is like many other artists of Latvian heritage – through no fault of his – a victim of the Latvian Diaspora endured by the people of the small European nation during the years in which their country was under Soviet domination.
Born in Latvia, Ķeniņš lived most of his life in Paris and Canada, where he taught and continued to compose, before returning home in his latter years.
His Concerto di camera No. 1 (1981) written for flute, clarinet and piano is intriguingly structured and nobly played on this CD by Tommaso Pratola (flute), Mārtiņš Circenis, (clarinet), and pianist Agnese Egliņa. It is here given a compelling performance led by Guntis Kuzma,.
Keninš’ Concerto for Piano, Strings and Percussion (1990) is a dramatic and at times anguished work in which the composer expresses his feelings about the events that led to the long awaited liberation of Latvia in 1991.
The concerto is divided into a fast/slow/fast structure, in which the brief first and last movements call for virtuosic playing here generously provided by percussionist Edgars Saksons and pianist Agnese Egliņa, led again by Guntis Kuzma.
Ķeniņš wrote his First Symphony in 1959. The work melds the folk music of the Baltic people and the contemporary in a composition brief in duration but expansive in scope, given in this Ondine release a superb rendition under the baton of Andris Poga.
As someone who writes about music I have become familiar with the work of Latvian conductors Andris Nelsons and Mariss Jansons, violinist Gidon Kremer, and soprano Kristine Opolais. Yet I shamefully confess to complete ignorance about Latvian music, which this terrific Ondine release will help me gradually remedy.
Rafael de Acha www.RafaelMusicNotes.com September 23, 2020
For those wishing to listen to a sample of Talivaldis Keninš’ music here are two of his choral numbers: