Evans Mirageas casts the best of the best. He must have a sizeable Rolodex, lots of sky miles, and many professional contacts all over the world. Witness what happens in the upcoming Cincinnati Opera production of Richard Strauss’ Ariadne auf Naxos with dramatic tenor Kyle van Schoonhoven in the killer role of Bacchus, mezzo-soprano Olivia Vote, singing the pants off the pants role of the Composer, coloratura soprano Liv Redpath dispensing high E’s and F’s by the dozen, and the Mexican baritone Luis Alejandro Orozco summersaulting his way as Harlequin. These are all four red-hot talents, they are young, good looking, and they are making their mark as singers-to- watch.
Getting ready for the opening of the Cincinnati Opera’s 99th season, which kicks off next week with Mozart’s The Marriage of Figaro, I am looking at the names of the singers starring in Mozart’s masterpiece and of those featured in the upcoming Romeo et Juliette, and in The Gershwin’s Porgy and Bess just around the corner… Again I am again reminded of what an uncanny knack Evans Mirageas has for discovering new talent, and for tapping into wonderful veteran artists.
The Cincinnati Opera’s Artistic Director has pleased quite a few other opera fans of my acquaintance again and again by bringing back to Cincinnati seasoned artists the likes of fast rising bass Morris Robinson and the silvery voiced soprano Nicole Cabell, nurturing them into Cincinnati favorites. That process takes time – just ask Robinson, who began singing here a few years ago as the Watchman keeping time for Wagner’s sleeping Meistersingers. This year the booming basso stars in the title male role in Porgy and Bess.
In the recent past we have celebrated rising young talents like the wonderful lyric baritone Joseph Lattanzi, one of the leads in last year’s Fellow Travelers and now starring as Count Almaviva in The Marriage of Figaro. In 2015, Andrea Mastroni, a young Italian bass impressed everyone within earshot in his both Cincinnati and American debut in the key role of Timur in Puccini’s Turandot. Within a year Mastroni was checking off in his calendar debuts at the MET and all over the map of Europe…
Cincinnati beats everyone to the punch time and again, as when it gave soprano Aileen Perez the starring role of Violetta in La Traviata before her warp-speed rise to international stardom at the MET and in Europe.
Evans Mirageas is also loyal to veteran artists who reside in Cincinnati. Witness his casting of the versatile bass-baritone Kenneth Shaw, a professor of voice at CCM, a busy singer, and a creative stage director, in the important part of Friar Laurence in Romeo et Juliette. Also note if you will the appearance of the multi-faceted bass-baritone Tom Hammons in the speaking role of the Majordomo in Ariadne auf Naxos. That’s a casting coup!
This mix of generations enriches the artistic product that is a hallmark of the Cincinnati Opera, something that Evans Mirageas does season after season by casting his artistic nets far and wide for his and our beloved Cincinnati Opera.
Rafael de Acha http://www.RafaelMusicNotes,com